Thursday, November 25, 2021

Sherlock Stones and the "Fallen into Disrepair Stone Wall"

 

      “Here’s the original photograph of an interesting image of a so-called “New England Colonial Stone Wall” that one often sees while searching images online,” Dr. Johnnie Possum remarked to his associate Sherlock Stones. Possum read the caption below the photo on the screen aloud: “Many of New England’s stone walls, like this one in New Hampshire, are going back to nature as they fall into disrepair and become overgrown with moss.”

       Stones sighed and put down his violin, peered at the screen for a moment. “Possum, we see and yet fail to observe.” He turned to his Rocket Surgeon, as well as his consulting fellow Independent Ceremonial Stone Landscape researcher friend, and asked, “Exactly which stones are we to believe are “fallen stones” in this photograph?”  

       Possum pointed to the center of the image, to the three stones on the ground. “Here of course! Indicative of perhaps a tree fall long ago, perhaps - or a place where deer have crossed the stone barrier, moving from one enclosure to another.”

       Stones replied, “These three stones appear to be stacked in that spot rather than reposing as they fell. I would suspect a human has placed them so – although one may want to consider a tidy bear has moved them, in search of picnic baskets perhaps.”  Possum chuckled at the reference to a talking cartoon bear as Sherlock Stones continued: “The same possible bear also appears to carry a can of red spray paint. Observe the red dot on the boulder at the breach. One might conclude that this spot is on a trail marked with red paint – or less likely, that it is an indicator of underground power lines that a land surveyor has noted.” Stones shook his head, as if chastising himself for entertaining the thought. “Perhaps it’s orange, the color for Communication lines,” he said, shaking his head again. He turned to Possum and said, “Despite what the author of the caption is telling us, before our eyes is a remarkably intact segment of artistically stacked stones. Some of the stones do display quite a good deal of moss and lichen growth, but “overgrown with moss” is not exactly how I for one would describe them.”

     Scrolling down, Stones read aloud, “Why are there stone walls in New England? New England’s first farmers of European descent found themselves plowing soil strewn with rocks left behind by glaciers. So, stone by stone, they stacked the rocks into waist-high walls. Some say these walls helped win the American Revolution, and they later inspired Robert Frost’s poem “Mending Wall.” He turned to Doctor Possum and said, “Here’s a familiar tune! I thought this sounded very familiar!”

           Both men read aloud the next sentence, “Host Stevie Cordwood goes for a walk in the woods of New Hampshire with stone wall expert Thorbert Roberson, the author of Rock by Rock: The Magnificent True Life Colonizer History of New England’s Stone Walls.”

          “We know this fellow's works quite well,” Possum remarked.

          Stones sighed, “Yes, we do, Possum, yes we do. So does the general public. We are quite familiar with his rigid stance on the subject: "No humans intelligent enough to be building in stone until lost settler-colonists accidently bumped into a rock around 1620 or thereabouts in this part of the big blue world.”

         “It’s really quite a shame that the man remains willfully unaware of Indigenous Cultures in the hemisphere,” Possum mused, ”There are remarkable stone, earth and even shell Indigenous structures to be found everywhere.  Those remarkable features in Pennsylvania, some 2500 years old according to recent Optically Stimulated Luminescence testing, come to mind.”

      Sherlock Stones was already at the keyboard of Dr. Possum’s laptop, plugging phrases into a search engine, humming an old familiar song. "Let us see if more images of this remarkably intact, delicate looking stone structure will pop up..."




To be continued, perhaps...


Tuesday, November 23, 2021

Comments

         I apologize for not checking my comments to be moderated before publication (for a very long time now). I was just trying to eliminate the spam and all, nothing personal...


Sunday, November 21, 2021

"Healing Diamond"


“Diamonds are the sacred symbol for medicine.
 The Mohegan Tribe operates the Tantaquidgeon Museum
 and a stone diamond appears on its chimney...

   Diamonds are the sacred symbol for medicine. The Mohegan Tribe operates the Tantaquidgeon Museum and a stone diamond appears on its chimney. Eighteenth century Mohegan Medicine Woman Lucy Occum carried the symbol of the diamond in the mark she used to sign her name...

    In Mohegan tradition, the diamond is a symbol of healing and protection and can be found on baskets, rattles, in beadwork and even on the Tantaquidgeon Museum. 

   According to the late Mohegan Medicine Woman Gladys Tantaquidgeon: 

“To the Mohegan, designs and life are more than mere representations of nature. There is a spiritual force that flows through all things, and if these symbols are true representations of that force, this spirit should be expressed in the designs."


   "Did you know Mohegan have told their stories on baskets including their migration away from and back to their reservation? Some designs reflect old maps of their territories, like Shantok, which was once laid out in a diamond shape. These ancient designs constitute a written language, which is still understood today.” https://www.facebook.com/themohegantribe/

Nonnewaug (Woodbury CT)


An eye overlaid on a "Supporting Turtle:"


Woodbridge:


On a townline along the Paugussett/Berkshire Path:

Saturday, November 13, 2021

Sun & Shadows (& European metal tool marks)

European tools in Pootatuck hands,

 Nonnewaug Indigenous Stonework circa 1700

 

When the sun hits just right, metal tool marks become apparent on a snapping turtle effigy in a retaining wall...



Anthropomorphic "Singing Stone" in the same retaining or terrace wall:




Another similar but not identical stone elsewhere on the same floodplain:




adding:

Could be stone hammer marks I suppose:


Friday, November 12, 2021

Some More Cellar Steps (Nonnewaug)

 And other stonework details...





Above: I realized I'd seen this face somewhere before.
Below: Somewhere Before
(Tamarack damage to the retaining wall - the Snake effigy for the entrance to the yard, but a strikingly similar "snake" - rather than a squared off end of a quarried stone.)





(Possibly a Tamarack grew here - some rotting wood remains.)
Rattlesnake-like capstone, to the right in the above photo:
When the sun hits it just right, like some petroglyphs, the rock art suddenly becomes very apparent,
realistic artistic details, comparable to an Eastern Timber Rattlesnake,
who often is associated with Great Serpents or Great Horned Serpents:


"Horned serpents are a type of mythological freshwater serpent common to many tribes of the eastern United States and Canada. Horned serpent legends vary somewhat from tribe to tribe, but they are usually described as huge, scaly, dragon-like serpents with horns and long teeth. Sometimes they move about on the land, but are more often found in lakes and rivers. The ubiquity of horned serpent stories in this region has led some people to speculate that they are based on a real animal (such as some sort of now-extinct giant crocodile.) However, in Native American myths and legends, horned serpents are usually very supernatural in character-- possessing magical abilities such as shape-shifting, invisibility, or hypnotic powers; bestowing powerful medicine upon humans who defeat them or help them; controlling storms and weather, and so on-- and were venerated as gods or spirit beings in some tribes. And unlike other animals such as crocodiles and snakes, horned serpents are not included in common Woodland Indian folktales about the animal kingdom. So it is likely that horned serpents have always been viewed as mythological spirits, not as animals, and that belief in them was simply very widespread in the eastern part of the country. Indeed, horned serpent mythology may trace back to ancestors of Eastern Native American tribes such as the Hopewell, Mississippian, and other mound-builder civilizations, as stylized serpent motifs have been found in their earthworks and artifacts which bear some resemblance to the horned serpents of historical Native American tribes."

Thursday, November 11, 2021

Cellar Steps (Nonnewaug)


For the past 40 years, I've been going up and down these cellar steps shown above.
Not for the entire time, you understand, just every once in a while,
for various reasons, such as carrying out an old coal and wood furnace converted to burn home heating oil, trying to fit a new furnace through the smallish opening, guide several water heaters down safely, and other regular sort of house owner activities, storm windows and all...
This feather and plug mark, just off center in the photo, is like an old friend, and as I was putting some tools and paint and stuff away, I decided to take a photo of this old friend:
I realized that here again is a common occurrence in the stonework at the house, especially if effigies of snakes and turtles are an indicator of Indigenous Stonework:

I'll "make it come alive" by overlaying some images and eyes,
trying to hit you over the head with the idea that these are effigies,
not just a failure by the Indigenous people living at Nonnewaug to be able to square the edges of stones with the steel tools they had acquired by 1700, but to create artwork, snakes and turtles and more:
(As I pasted in the box turtle, I realized the feather and plug mark is also the nuchal notch in the marginal scutes that is also a "snake step.")



I'll probably gather up photos that show how often this pattern repeats in another post...
A few working images for now: