Saturday, August 12, 2023

Identifying Indian "Stone Walls"

Or Indigenous Qusukqaniyutôkanash 

1
Qusukqaniyutôk: (‘stone row, enclosure’ Harris and Robinson, 2015:140, ‘fence that crosses back’ viz. qussuk, ‘stone,’ Nipmuc or quski, quskaca, ‘returning, crosses over,’ qaqi, ‘runs,’ pumiyotôk, ‘fence, wall,’ Mohegan, Mohegan Nation 2004:145, 95, 129) wall (outdoor), fence, NI – pumiyotôk plural pumiyotôkansh.) Nohham Rolf Cachat-Schilling

Bulletin of the Massachusetts Archaeological Society, Vol. 77, No. 2 Fall 2016

Qusukqaniyutôkansh (pl): Rows of Stacked Stones, colloquially “stone walls” or “stone fences,” often assumed to be post contact constructions related to property ownership and agriculture.

This isn't it, but all too often, the older constructions are rebuilt in this manner, without a second thought, because of the long standing bias that "Indians didn't build in stone until taught to by the English,in New England."

Some "Proper" English Stone Fences aka "Dry Stone Walls:"


“Some of the more remarkable rows (of stones),” Curtiss Hoffman writes in Stone Prayers: Native American Constructions of the Eastern Seaboard (2018), “have what appear to be serpent heads at their ends. These and the more sinuous walls have been reclassified within the effigies category." - Page 61

A single boulder head is perhaps the easiest to identify:  

 

Not only at the "beginnings" or "openings" of the assumed "stone sheep fences," can  the "single boulder snake head" variation of Indigenous Stonework be observed, the "Serpent Stacking" can also be found in segments of what we often refer to as "stone walls." This can be observed in a detail taken from the first image in this post, an assumed Yankee Stone Wall in my hometown in CT:



The same distinguishing characteristics can also sometimes be observed in what are often assumed to be zig zag "stone walls" of accidental construction, alleged accumulated field clearing stones tossed against the rails of early settler colonists first fences composed of wooden rails - just as the more linear "walls" are assumed to be  tossed under early cross and rail fences...


Those wooden rails raised the height of the fence up to a legal standard of property ownership by reason of "improvement" - under early colonial laws...



Qusukqaniyutôk (2023): “A row of stones artistically stacked or laid using elements of Indigenous Iconography, sometimes obviously resembling a Great Snake, often composed of smaller snake effigies as well as other effigies both zoomorphic and anthropomorphic, sometimes appearing to shapeshift into another effigy, possibly related to control of water or fire (sometimes both) on Sacred Cultural Landscapes that are beginning to be recognized as Indigenous Ceremonial Stone Landscapes.”

From a perspective of distance, the largest of the Stone Snake Qusukqaniyutôk snake across the landscape, crossing over others, sometimes connecting great boulders or bedrock outcrops, sometimes along streams – and sometimes stacked over and hiding a stream, a Musical Row of Stones - the sound of water is the Great Snake contentedly “purring.”

Inside some enclosures, there were “gardens,” plant resources perhaps tended by fire, perhaps protected from fire, something living kept in balance, kept in production by someone offering tobacco to a serpent guardian before entering, someone singing while stacking stones, picking up and replacing her grandmothers’ and grandfathers’ stones that have fallen.

Zigzag, linear rows of stones, snaking across the landscape, both sides of an Indian Path or Native American Trail or an Indigenous Road that’s possibly ten or twelve thousand years old…

See also:

Friday, August 11, 2023

A Stubborn Theory Indeed

I just happened to re-read this old article:

  I doubt the authors (Ellsworth and Ives) realize the stubborn “theory” may well be the colonial origin of certain stone features on a landscape used by humans for thousands and thousands of years.

     “Evaluations of máunumúetash* by parties who do not test their hypotheses against Northeast Algonquian cosmology and rituals are doing, at best, only half an investigation," writes Nohham.

  “Evaluations of qusuqaniyutôkansh (“stone walls”) by parties who do not test their hypotheses against Northeast Algonquian cosmology, Traditional Ecological Knowledge, and Rituals of Renewal on Ceremonial Stone Landscapes are doing, at best, only 3% of an investigation,” remarked Sherlock Stones to his associate, famed Rocket Surgeon John Possum. "The late Dr. Brian Jones, the Connecticut State Archaeologist spoke and wrote about that "Other 97% of the Human History," the Indigenous Peoples' History, that most people are almost entirely unaware of - or are greatly misinformed about."



  I’m just a guy with a blog, inspired to overlay “Serpent Imagery” on photos to kind of “make the structures come alive” by adding horns and eyes, and perhaps even point to a similar structure or a variation, illustrating the repeated existing patterns of Indigenous Iconography, the Artwork, in the stacking of these Stone Prayers, these "Stones of Intention:"  


Below: a photo lifted from Greater Rhode Island Roaming













One Snake Head 

      At the Beginning (Not the End) of a “Stone Wall” is Nothing

Two Snake Heads at Two Stone Walls may be a Coincidence

While Three Snake Heads at Three Stone Walls is a Conspiracy, as the old archaeologist joke goes,

                      But Four Snake Heads at the Beginning (Not the End) of Four “Stone Walls”

               May be more than:

 “a juggernaut of wishful thinking masquerading as science”

“a shakedown culture complete with lawyers, fake science, and internal schisms (that) makes Timothy Ives’ book both a microcosm and a warning about the direction of our country"

“farming relics” and  “pseudoscience that goes into determining that the stone piles are related to Native American rituals.”

Snake Head Variations







*Máunumúet(ash) - place(s) of ceremonial gathering (ehenda mawewink, Lënapeuw, mawighunk, Mahhekanneuw). Themes of connectedness, reciprocity, prayerfulness and continuity are expressed through máunumúetash.

Nohham Rolf Cachat-Shilling

Bulletin of Society for Connecticut Archaeology (2018)

https://www.academia.edu/40876479/SCASubmission